And he said Netflix’s approach to buying film rights, by paying a flat fee, can be safer for producers.
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He wants to “ make the movie business bigger,” not smaller, by tapping underserved markets. Sarandos says Netflix is the antidote to that. In fact, there are many movies recently that have bombed in the US but done well overseas. Hollywood, Sarandos says, is increasingly focused on blockbusters that do well internationally.Īnd beyond being formulaic in the extreme, these films aren’t even always the ones American audiences want to see. Its the most controversial film of the year, the thriller that will save Hollywood. These movies are the mid-level films, the ones that don’t have superheroes or big explosions. So, caveats aside, heres The List of best family films of 2010. Kathryn Bigelow’s Strange Days ought to be on there too, but I couldn’t deny a spot to The Young Poisoner’s Handbook, a striking movie with a great soundtrack and a standout performance by Hugh O’Conor.“There are movies that people really want to watch that are no longer being made and no longer being put in movie theaters because studios don’t want to make them anymore,” he said, according to Vanity Fair.
Just missing is The Bridges of Madison County, a movie that really is sooo much better than its source novel. The Young Poisoner’s Handbook (Benjamin Ross) Sense and Sensibility (Ang Lee) and Persuasion (Roger Michell)ĩ. I wrote about my #1 film in Film Comment in ’95, and I would re-print that article if my thumb weren’t broken. The most significant title of the year might be Toy Story, which ushered in a new realm of animation and introduced John Lasseter and Pixar as the people who could save Hollywood. And Seven and Heat are examples of American stylists working in suitable modes, with splendid results. Having just re-viewed Safe this week, I remain steadfast in thinking this is the movie where Todd Haynes put it together and created a sustained, Kubrickian vibe for an entire film. Time does its thing with lists I had Leaving Las Vegas ranked high on a 1995 Ten Best list for Film Comment, but the movie hasn’t aged as well as some of the other items here, and so other movies began to climb. The #1 is a soft, lyrical film that has quietly moved its way up the ranks over the years (maybe helped by inspiring one of the better sequels of recent memory). packagesdev and packagesdev Support for shared locked settings.
Not a powerhouse year for big, heavyweight contenders - in fact, most of the movies on my list are noticeably lacking in aggression.
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One is to organize links to my critical work: reviews written for The Herald (Everett, Washington) and Seattle Weekly and public appearances and TV jobs.
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